Les Misérables
Chapter I — Ninety Years and Thirty-two Teeth
In the Rue Boucherat, Rue de Normandie and the Rue de Saintonge there still exist a few ancient inhabitants who have preserved the memory of a worthy man named M. Gillenormand, and who mention him with complaisance. This good man was old when they were young. This silhouette has not yet entirely disappeared—for those who regard with melancholy that vague swarm of shadows which is called the past—from the labyrinth of streets in the vicinity of the Temple to which, under Louis XIV., the names of all the provinces of France were appended exactly as in our day, the streets of the new Tivoli quarter have received the names of all the capitals of Europe; a progression, by the way, in which progress is visible.
M. Gillenormand, who was as much alive as possible in 1831, was one of those men who had become curiosities to be viewed, simply because they have lived a long time, and who are strange because they formerly resembled everybody, and now resemble nobody. He was a peculiar old man, and in very truth, a man of another age, the real, complete and rather haughty bourgeois of the eighteenth century, who wore his good, old bourgeoisie with the air with which marquises wear their marquisates. He was over ninety years of age, his walk was erect, he talked loudly, saw clearly, drank neat, ate, slept, and snored. He had all thirty-two of his teeth. He only wore spectacles when he read. He was of an amorous disposition, but declared that, for the last ten years, he had wholly and decidedly renounced women. He could no longer please, he said; he did not add: “I am too old,” but: “I am too poor.” He said: “If I were not ruined—Héée!” All he had left, in fact, was an income of about fifteen thousand francs. His dream was to come into an inheritance and to have a hundred thousand livres income for mistresses. He did not belong, as the reader will perceive, to that puny variety of octogenaries who, like M. de Voltaire, have been dying all their life; his was no longevity of a cracked pot; this jovial old man had always had good health. He was superficial, rapid, easily angered. He flew into a passion at everything, generally quite contrary to all reason. When contradicted, he raised his cane; he beat people as he had done in the great century. He had a daughter over fifty years of age, and unmarried, whom he chastised severely with his tongue, when in a rage, and whom he would have liked to whip. She seemed to him to be eight years old. He boxed his servants’ ears soundly, and said: “Ah! carogne!” One of his oaths was: “By the pantoufloche of the pantouflochade!” He had singular freaks of tranquillity; he had himself shaved every day by a barber who had been mad and who detested him, being jealous of M. Gillenormand on account of his wife, a pretty and coquettish barberess. M. Gillenormand admired his own discernment in all things, and declared that he was extremely sagacious; here is one of his sayings: “I have, in truth, some penetration; I am able to say when a flea bites me, from what woman it came.”
The words which he uttered the most frequently were: _the sensible man, and nature_. He did not give to this last word the grand acceptation which our epoch has accorded to it, but he made it enter, after his own fashion, into his little chimney-corner satires: “Nature,” he said, “in order that civilization may have a little of everything, gives it even specimens of its amusing barbarism. Europe possesses specimens of Asia and Africa on a small scale. The cat is a drawing-room tiger, the lizard is a pocket crocodile. The dancers at the opera are pink female savages. They do not eat men, they crunch them; or, magicians that they are, they transform them into oysters and swallow them. The Caribbeans leave only the bones, they leave only the shell. Such are our morals. We do not devour, we gnaw; we do not exterminate, we claw.”
Chapter II — Like Master, Like House
He lived in the Marais, Rue des Filles-du-Calvaire, No. 6. He owned the house. This house has since been demolished and rebuilt, and the number has probably been changed in those revolutions of numeration which the streets of Paris undergo. He occupied an ancient and vast apartment on the first floor, between street and gardens, furnished to the very ceilings with great Gobelins and Beauvais tapestries representing pastoral scenes; the subjects of the ceilings and the panels were repeated in miniature on the armchairs. He enveloped his bed in a vast, nine-leaved screen of Coromandel lacquer. Long, full curtains hung from the windows, and formed great, broken folds that were very magnificent. The garden situated immediately under his windows was attached to that one of them which formed the angle, by means of a staircase twelve or fifteen steps long, which the old gentleman ascended and descended with great agility. In addition to a library adjoining his chamber, he had a boudoir of which he thought a great deal, a gallant and elegant retreat, with magnificent hangings of straw, with a pattern of flowers and fleurs-de-lys made on the galleys of Louis XIV. and ordered of his convicts by M. de Vivonne for his mistress. M. Gillenormand had inherited it from a grim maternal great-aunt, who had died a centenarian. He had had two wives. His manners were something between those of the courtier, which he had never been, and the lawyer, which he might have been. He was gay, and caressing when he had a mind. In his youth he had been one of those men who are always deceived by their wives and never by their mistresses, because they are, at the same time, the most sullen of husbands and the most charming of lovers in existence. He was a connoisseur of painting. He had in his chamber a marvellous portrait of no one knows whom, painted by Jordaens, executed with great dashes of the brush, with millions of details, in a confused and hap-hazard manner. M. Gillenormand’s attire was not the habit of Louis XIV. nor yet that of Louis XVI.; it was that of the Incroyables of the Directory. He had thought himself young up to that period and had followed the fashions. His coat was of light-weight cloth with voluminous revers, a long swallow-tail and large steel buttons. With this he wore knee-breeches and buckle shoes. He always thrust his hands into his fobs. He said authoritatively: “The French Revolution is a heap of blackguards.”
Chapter III — Luc-esprit
At the age of sixteen, one evening at the opera, he had had the honor to be stared at through opera-glasses by two beauties at the same time—ripe and celebrated beauties then, and sung by Voltaire, the Camargo and the Sallé. Caught between two fires, he had beaten a heroic retreat towards a little dancer, a young girl named Nahenry, who was sixteen like himself, obscure as a cat, and with whom he was in love. He abounded in memories. He was accustomed to exclaim: “How pretty she was—that Guimard-Guimardini-Guimardinette, the last time I saw her at Longchamps, her hair curled in sustained sentiments, with her come-and-see of turquoises, her gown of the color of persons newly arrived, and her little agitation muff!” He had worn in his young manhood a waistcoat of Nain-Londrin, which he was fond of talking about effusively. “I was dressed like a Turk of the Levant Levantin,” said he. Madame de Boufflers, having seen him by chance when he was twenty, had described him as “a charming fool.” He was horrified by all the names which he saw in politics and in power, regarding them as vulgar and bourgeois. He read the journals, the newspapers, the gazettes as he said, stifling outbursts of laughter the while. “Oh!” he said, “what people these are! Corbière! Humann! Casimir Périer! There’s a minister for you! I can imagine this in a journal: ‘M. Gillenorman, minister!’ that would be a farce. Well! They are so stupid that it would pass”; he merrily called everything by its name, whether decent or indecent, and did not restrain himself in the least before ladies. He uttered coarse speeches, obscenities, and filth with a certain tranquillity and lack of astonishment which was elegant. It was in keeping with the unceremoniousness of his century. It is to be noted that the age of periphrase in verse was the age of crudities in prose. His god-father had predicted that he would turn out a man of genius, and had bestowed on him these two significant names: Luc-Esprit.
Chapter IV — A Centenarian Aspirant
He had taken prizes in his boyhood at the College of Moulins, where he was born, and he had been crowned by the hand of the Duc de Nivernais, whom he called the Duc de Nevers. Neither the Convention, nor the death of Louis XVI., nor the Napoleon, nor the return of the Bourbons, nor anything else had been able to efface the memory of this crowning. _The Duc de Nevers_ was, in his eyes, the great figure of the century. “What a charming grand seigneur,” he said, “and what a fine air he had with his blue ribbon!”
In the eyes of M. Gillenormand, Catherine the Second had made reparation for the crime of the partition of Poland by purchasing, for three thousand roubles, the secret of the elixir of gold, from Bestucheff. He grew animated on this subject: “The elixir of gold,” he exclaimed, “the yellow dye of Bestucheff, General Lamotte’s drops, in the eighteenth century,—this was the great remedy for the catastrophes of love, the panacea against Venus, at one louis the half-ounce phial. Louis XV. sent two hundred phials of it to the Pope.” He would have been greatly irritated and thrown off his balance, had any one told him that the elixir of gold is nothing but the perchloride of iron. M. Gillenormand adored the Bourbons, and had a horror of 1789; he was forever narrating in what manner he had saved himself during the Terror, and how he had been obliged to display a vast deal of gayety and cleverness in order to escape having his head cut off. If any young man ventured to pronounce an eulogium on the Republic in his presence, he turned purple and grew so angry that he was on the point of swooning. He sometimes alluded to his ninety years, and said, “I hope that I shall not see ninety-three twice.” On these occasions, he hinted to people that he meant to live to be a hundred.
Chapter V — Basque and Nicolette
He had theories. Here is one of them: “When a man is passionately fond of women, and when he has himself a wife for whom he cares but little, who is homely, cross, legitimate, with plenty of rights, perched on the code, and jealous at need, there is but one way of extricating himself from the quandry and of procuring peace, and that is to let his wife control the purse-strings. This abdication sets him free. Then his wife busies herself, grows passionately fond of handling coin, gets her fingers covered with verdigris in the process, undertakes the education of half-share tenants and the training of farmers, convokes lawyers, presides over notaries, harangues scriveners, visits limbs of the law, follows lawsuits, draws up leases, dictates contracts, feels herself the sovereign, sells, buys, regulates, promises and compromises, binds fast and annuls, yields, concedes and retrocedes, arranges, disarranges, hoards, lavishes; she commits follies, a supreme and personal delight, and that consoles her. While her husband disdains her, she has the satisfaction of ruining her husband.” This theory M. Gillenormand had himself applied, and it had become his history. His wife—the second one—had administered his fortune in such a manner that, one fine day, when M. Gillenormand found himself a widower, there remained to him just sufficient to live on, by sinking nearly the whole of it in an annuity of fifteen thousand francs, three-quarters of which would expire with him. He had not hesitated on this point, not being anxious to leave a property behind him. Besides, he had noticed that patrimonies are subject to adventures, and, for instance, become national property; he had been present at the avatars of consolidated three per cents, and he had no great faith in the Great Book of the Public Debt. “All that’s the Rue Quincampois!” he said. His house in the Rue des Filles-du-Calvaire belonged to him, as we have already stated. He had two servants, “a male and a female.” When a servant entered his establishment, M. Gillenormand re-baptized him. He bestowed on the men the name of their province: Nîmois, Comtois, Poitevin, Picard. His last valet was a big, foundered, short-winded fellow of fifty-five, who was incapable of running twenty paces; but, as he had been born at Bayonne, M. Gillenormand called him Basque. All the female servants in his house were called Nicolette (even the Magnon, of whom we shall hear more farther on). One day, a haughty cook, a cordon bleu, of the lofty race of porters, presented herself. “How much wages do you want a month?” asked M. Gillenormand. “Thirty francs.” “What is your name?” “Olympie.” “You shall have fifty francs, and you shall be called Nicolette.”
Chapter VI — In Which Magnon and Her Two Children Are Seen
With M. Gillenormand, sorrow was converted into wrath; he was furious at being in despair. He had all sorts of prejudices and took all sorts of liberties. One of the facts of which his exterior relief and his internal satisfaction was composed, was, as we have just hinted, that he had remained a brisk spark, and that he passed energetically for such. This he called having “royal renown.” This royal renown sometimes drew down upon him singular windfalls. One day, there was brought to him in a basket, as though it had been a basket of oysters, a stout, newly born boy, who was yelling like the deuce, and duly wrapped in swaddling-clothes, which a servant-maid, dismissed six months previously, attributed to him. M. Gillenormand had, at that time, fully completed his eighty-fourth year. Indignation and uproar in the establishment. And whom did that bold hussy think she could persuade to believe that? What audacity! What an abominable calumny! M. Gillenormand himself was not at all enraged. He gazed at the brat with the amiable smile of a good man who is flattered by the calumny, and said in an aside: “Well, what now? What’s the matter? You are finely taken aback, and really, you are excessively ignorant. M. le Duc d’Angoulême, the bastard of his Majesty Charles IX., married a silly jade of fifteen when he was eighty-five; M. Virginal, Marquis d’Alluye, brother to the Cardinal de Sourdis, Archbishop of Bordeaux, had, at the age of eighty-three, by the maid of Madame la Présidente Jacquin, a son, a real child of love, who became a Chevalier of Malta and a counsellor of state; one of the great men of this century, the Abbé Tabaraud, is the son of a man of eighty-seven. There is nothing out of the ordinary in these things. And then, the Bible! Upon that I declare that this little gentleman is none of mine. Let him be taken care of. It is not his fault.” This manner of procedure was good-tempered. The woman, whose name was Magnon, sent him another parcel in the following year. It was a boy again. Thereupon, M. Gillenormand capitulated. He sent the two brats back to their mother, promising to pay eighty francs a month for their maintenance, on the condition that the said mother would not do so any more. He added: “I insist upon it that the mother shall treat them well. I shall go to see them from time to time.” And this he did. He had had a brother who was a priest, and who had been rector of the Academy of Poitiers for three and thirty years, and had died at seventy-nine. “I lost him young,” said he. This brother, of whom but little memory remains, was a peaceable miser, who, being a priest, thought himself bound to bestow alms on the poor whom he met, but he never gave them anything except bad or demonetized sous, thereby discovering a means of going to hell by way of paradise. As for M. Gillenormand the elder, he never haggled over his alms-giving, but gave gladly and nobly. He was kindly, abrupt, charitable, and if he had been rich, his turn of mind would have been magnificent. He desired that all which concerned him should be done in a grand manner, even his rogueries. One day, having been cheated by a business man in a matter of inheritance, in a gross and apparent manner, he uttered this solemn exclamation: “That was indecently done! I am really ashamed of this pilfering. Everything has degenerated in this century, even the rascals. Morbleu! this is not the way to rob a man of my standing. I am robbed as though in a forest, but badly robbed. _Silvæ sint consule dignæ! _” He had had two wives, as we have already mentioned; by the first he had had a daughter, who had remained unmarried, and by the second another daughter, who had died at about the age of thirty, who had wedded, through love, or chance, or otherwise, a soldier of fortune who had served in the armies of the Republic and of the Empire, who had won the cross at Austerlitz and had been made colonel at Waterloo. _“He is the disgrace of my family,” _ said the old bourgeois. He took an immense amount of snuff, and had a particularly graceful manner of plucking at his lace ruffle with the back of one hand. He believed very little in God.
Chapter VII — Rule: Receive No One Except in the Evening
Such was M. Luc-Esprit Gillenormand, who had not lost his hair,—which was gray rather than white,—and which was always dressed in “dog’s ears.” To sum up, he was venerable in spite of all this.
He had something of the eighteenth century about him; frivolous and great.
In 1814 and during the early years of the Restoration, M. Gillenormand, who was still young,—he was only seventy-four,—lived in the Faubourg Saint Germain, Rue Servandoni, near Saint-Sulpice. He had only retired to the Marais when he quitted society, long after attaining the age of eighty.
And, on abandoning society, he had immured himself in his habits. The principal one, and that which was invariable, was to keep his door absolutely closed during the day, and never to receive any one whatever except in the evening. He dined at five o’clock, and after that his door was open. That had been the fashion of his century, and he would not swerve from it. “The day is vulgar,” said he, “and deserves only a closed shutter. Fashionable people only light up their minds when the zenith lights up its stars.” And he barricaded himself against every one, even had it been the king himself. This was the antiquated elegance of his day.
Chapter VIII — Two Do Not Make a Pair
We have just spoken of M. Gillenormand’s two daughters. They had come into the world ten years apart. In their youth they had borne very little resemblance to each other, either in character or countenance, and had also been as little like sisters to each other as possible. The youngest had a charming soul, which turned towards all that belongs to the light, was occupied with flowers, with verses, with music, which fluttered away into glorious space, enthusiastic, ethereal, and was wedded from her very youth, in ideal, to a vague and heroic figure. The elder had also her chimera; she espied in the azure some very wealthy purveyor, a contractor, a splendidly stupid husband, a million made man, or even a prefect; the receptions of the Prefecture, an usher in the antechamber with a chain on his neck, official balls, the harangues of the town-hall, to be “Madame la Préfète,”—all this had created a whirlwind in her imagination. Thus the two sisters strayed, each in her own dream, at the epoch when they were young girls. Both had wings, the one like an angel, the other like a goose.
No ambition is ever fully realized, here below at least. No paradise becomes terrestrial in our day. The younger wedded the man of her dreams, but she died. The elder did not marry at all.
At the moment when she makes her entrance into this history which we are relating, she was an antique virtue, an incombustible prude, with one of the sharpest noses, and one of the most obtuse minds that it is possible to see. A characteristic detail; outside of her immediate family, no one had ever known her first name. She was called Mademoiselle Gillenormand, the elder.
In the matter of cant, Mademoiselle Gillenormand could have given points to a miss. Her modesty was carried to the other extreme of blackness. She cherished a frightful memory of her life; one day, a man had beheld her garter.
Age had only served to accentuate this pitiless modesty. Her guimpe was never sufficiently opaque, and never ascended sufficiently high. She multiplied clasps and pins where no one would have dreamed of looking. The peculiarity of prudery is to place all the more sentinels in proportion as the fortress is the less menaced.
Nevertheless, let him who can explain these antique mysteries of innocence, she allowed an officer of the Lancers, her grand nephew, named Théodule, to embrace her without displeasure.
In spite of this favored Lancer, the label: Prude, under which we have classed her, suited her to absolute perfection. Mademoiselle Gillenormand was a sort of twilight soul. Prudery is a demi-virtue and a demi-vice.
To prudery she added bigotry, a well-assorted lining. She belonged to the society of the Virgin, wore a white veil on certain festivals, mumbled special orisons, revered “the holy blood,” venerated “the sacred heart,” remained for hours in contemplation before a rococo-jesuit altar in a chapel which was inaccessible to the rank and file of the faithful, and there allowed her soul to soar among little clouds of marble, and through great rays of gilded wood.
She had a chapel friend, an ancient virgin like herself, named Mademoiselle Vaubois, who was a positive blockhead, and beside whom Mademoiselle Gillenormand had the pleasure of being an eagle. Beyond the Agnus Dei and Ave Maria, Mademoiselle Vaubois had no knowledge of anything except of the different ways of making preserves. Mademoiselle Vaubois, perfect in her style, was the ermine of stupidity without a single spot of intelligence.
Let us say it plainly, Mademoiselle Gillenormand had gained rather than lost as she grew older. This is the case with passive natures. She had never been malicious, which is relative kindness; and then, years wear away the angles, and the softening which comes with time had come to her. She was melancholy with an obscure sadness of which she did not herself know the secret. There breathed from her whole person the stupor of a life that was finished, and which had never had a beginning.
She kept house for her father. M. Gillenormand had his daughter near him, as we have seen that Monseigneur Bienvenu had his sister with him. These households comprised of an old man and an old spinster are not rare, and always have the touching aspect of two weaknesses leaning on each other for support.
There was also in this house, between this elderly spinster and this old man, a child, a little boy, who was always trembling and mute in the presence of M. Gillenormand. M. Gillenormand never addressed this child except in a severe voice, and sometimes, with uplifted cane: “Here, sir! rascal, scoundrel, come here!—Answer me, you scamp! Just let me see you, you good-for-nothing!” etc., etc. He idolized him.
This was his grandson. We shall meet with this child again later on.
Book Third: The Grandfather and the Grandson
Chapter I — An Ancient Salon
When M. Gillenormand lived in the Rue Servandoni, he had frequented many very good and very aristocratic salons. Although a bourgeois, M. Gillenormand was received in society. As he had a double measure of wit, in the first place, that which was born with him, and secondly, that which was attributed to him, he was even sought out and made much of. He never went anywhere except on condition of being the chief person there. There are people who will have influence at any price, and who will have other people busy themselves over them; when they cannot be oracles, they turn wags. M. Gillenormand was not of this nature; his domination in the Royalist salons which he frequented cost his self-respect nothing. He was an oracle everywhere. It had happened to him to hold his own against M. de Bonald, and even against M. Bengy-Puy-Vallée.
About 1817, he invariably passed two afternoons a week in a house in his own neighborhood, in the Rue Férou, with Madame la Baronne de T., a worthy and respectable person, whose husband had been Ambassador of France to Berlin under Louis XVI. Baron de T., who, during his lifetime, had gone very passionately into ecstasies and magnetic visions, had died bankrupt, during the emigration, leaving, as his entire fortune, some very curious Memoirs about Mesmer and his tub, in ten manuscript volumes, bound in red morocco and gilded on the edges. Madame de T. had not published the memoirs, out of pride, and maintained herself on a meagre income which had survived no one knew how.
Madame de T. lived far from the Court; “a very mixed society,” as she said, in a noble isolation, proud and poor. A few friends assembled twice a week about her widowed hearth, and these constituted a purely Royalist salon. They sipped tea there, and uttered groans or cries of horror at the century, the charter, the Bonapartists, the prostitution of the blue ribbon, or the Jacobinism of Louis XVIII., according as the wind veered towards elegy or dithyrambs; and they spoke in low tones of the hopes which were presented by Monsieur, afterwards Charles X.
The songs of the fishwomen, in which Napoleon was called Nicolas, were received there with transports of joy. Duchesses, the most delicate and charming women in the world, went into ecstasies over couplets like the following, addressed to “the federates”:—
Refoncez dans vos culottes Le bout d’ chemis’ qui vous pend. Qu’on n’ dis’ pas qu’ les patriotes Ont arboré l’ drapeau blanc?20
There they amused themselves with puns which were considered terrible, with innocent plays upon words which they supposed to be venomous, with quatrains, with distiches even; thus, upon the Dessolles ministry, a moderate cabinet, of which MM. Decazes and Deserre were members:—
Pour raffermir le trône ébranlé sur sa base, Il faut changer de sol, et de serre et de case.21
Or they drew up a list of the chamber of peers, “an abominably Jacobin chamber,” and from this list they combined alliances of names, in such a manner as to form, for example, phrases like the following: _Damas. Sabran. Gouvion-Saint-Cyr_.—All this was done merrily. In that society, they parodied the Revolution. They used I know not what desires to give point to the same wrath in inverse sense. They sang their little _Ça ira: _—
Ah! ça ira ça ira ça ira! Les Bonapartistes à la lanterne!
Songs are like the guillotine; they chop away indifferently, to-day this head, to-morrow that. It is only a variation.
In the Fualdès affair, which belongs to this epoch, 1816, they took part for Bastide and Jausion, because Fualdès was “a Buonapartist.” They designated the liberals as friends and brothers; this constituted the most deadly insult.
Like certain church towers, Madame de T.’s salon had two cocks. One of them was M. Gillenormand, the other was Comte de Lamothe-Valois, of whom it was whispered about, with a sort of respect: “Do you know? That is the Lamothe of the affair of the necklace.” These singular amnesties do occur in parties.
Let us add the following: in the bourgeoisie, honored situations decay through too easy relations; one must beware whom one admits; in the same way that there is a loss of caloric in the vicinity of those who are cold, there is a diminution of consideration in the approach of despised persons. The ancient society of the upper classes held themselves above this law, as above every other. Marigny, the brother of the Pompadour, had his entry with M. le Prince de Soubise. In spite of? No, because. Du Barry, the god-father of the Vaubernier, was very welcome at the house of M. le Maréchal de Richelieu. This society is Olympus. Mercury and the Prince de Guémenée are at home there. A thief is admitted there, provided he be a god.
The Comte de Lamothe, who, in 1815, was an old man seventy-five years of age, had nothing remarkable about him except his silent and sententious air, his cold and angular face, his perfectly polished manners, his coat buttoned up to his cravat, and his long legs always crossed in long, flabby trousers of the hue of burnt sienna. His face was the same color as his trousers.
This M. de Lamothe was “held in consideration” in this salon on account of his “celebrity” and, strange to say, though true, because of his name of Valois.
As for M. Gillenormand, his consideration was of absolutely first-rate quality. He had, in spite of his levity, and without its interfering in any way with his dignity, a certain manner about him which was imposing, dignified, honest, and lofty, in a bourgeois fashion; and his great age added to it. One is not a century with impunity. The years finally produce around a head a venerable dishevelment.
In addition to this, he said things which had the genuine sparkle of the old rock. Thus, when the King of Prussia, after having restored Louis XVIII., came to pay the latter a visit under the name of the Count de Ruppin, he was received by the descendant of Louis XIV. somewhat as though he had been the Marquis de Brandebourg, and with the most delicate impertinence. M. Gillenormand approved: “All kings who are not the King of France,” said he, “are provincial kings.” One day, the following question was put and the following answer returned in his presence: “To what was the editor of the Courrier Français condemned?” “To be suspended.” “Sus is superfluous,” observed M. Gillenormand.22 Remarks of this nature found a situation.
At the Te Deum on the anniversary of the return of the Bourbons, he said, on seeing M. de Talleyrand pass by: “There goes his Excellency the Evil One.”
M. Gillenormand was always accompanied by his daughter, that tall mademoiselle, who was over forty and looked fifty, and by a handsome little boy of seven years, white, rosy, fresh, with happy and trusting eyes, who never appeared in that salon without hearing voices murmur around him: “How handsome he is! What a pity! Poor child!” This child was the one of whom we dropped a word a while ago. He was called “poor child,” because he had for a father “a brigand of the Loire.”
This brigand of the Loire was M. Gillenormand’s son-in-law, who has already been mentioned, and whom M. Gillenormand called “the disgrace of his family.”
Chapter II — One of the Red Spectres of That Epoch
Any one who had chanced to pass through the little town of Vernon at this epoch, and who had happened to walk across that fine monumental bridge, which will soon be succeeded, let us hope, by some hideous iron cable bridge, might have observed, had he dropped his eyes over the parapet, a man about fifty years of age wearing a leather cap, and trousers and a waistcoat of coarse gray cloth, to which something yellow which had been a red ribbon, was sewn, shod with wooden sabots, tanned by the sun, his face nearly black and his hair nearly white, a large scar on his forehead which ran down upon his cheek, bowed, bent, prematurely aged, who walked nearly every day, hoe and sickle in hand, in one of those compartments surrounded by walls which abut on the bridge, and border the left bank of the Seine like a chain of terraces, charming enclosures full of flowers of which one could say, were they much larger: “these are gardens,” and were they a little smaller: “these are bouquets.” All these enclosures abut upon the river at one end, and on a house at the other. The man in the waistcoat and the wooden shoes of whom we have just spoken, inhabited the smallest of these enclosures and the most humble of these houses about 1817. He lived there alone and solitary, silently and poorly, with a woman who was neither young nor old, neither homely nor pretty, neither a peasant nor a bourgeoise, who served him. The plot of earth which he called his garden was celebrated in the town for the beauty of the flowers which he cultivated there. These flowers were his occupation.
By dint of labor, of perseverance, of attention, and of buckets of water, he had succeeded in creating after the Creator, and he had invented certain tulips and certain dahlias which seemed to have been forgotten by nature. He was ingenious; he had forestalled Soulange Bodin in the formation of little clumps of earth of heath mould, for the cultivation of rare and precious shrubs from America and China. He was in his alleys from the break of day, in summer, planting, cutting, hoeing, watering, walking amid his flowers with an air of kindness, sadness, and sweetness, sometimes standing motionless and thoughtful for hours, listening to the song of a bird in the trees, the babble of a child in a house, or with his eyes fixed on a drop of dew at the tip of a spear of grass, of which the sun made a carbuncle. His table was very plain, and he drank more milk than wine. A child could make him give way, and his servant scolded him. He was so timid that he seemed shy, he rarely went out, and he saw no one but the poor people who tapped at his pane and his curé, the Abbé Mabeuf, a good old man. Nevertheless, if the inhabitants of the town, or strangers, or any chance comers, curious to see his tulips, rang at his little cottage, he opened his door with a smile. He was the “brigand of the Loire.”
Any one who had, at the same time, read military memoirs, biographies, the Moniteur, and the bulletins of the grand army, would have been struck by a name which occurs there with tolerable frequency, the name of Georges Pontmercy. When very young, this Georges Pontmercy had been a soldier in Saintonge’s regiment. The revolution broke out. Saintonge’s regiment formed a part of the army of the Rhine; for the old regiments of the monarchy preserved their names of provinces even after the fall of the monarchy, and were only divided into brigades in 1794. Pontmercy fought at Spire, at Worms, at Neustadt, at Turkheim, at Alzey, at Mayence, where he was one of the two hundred who formed Houchard’s rearguard. It was the twelfth to hold its ground against the corps of the Prince of Hesse, behind the old rampart of Andernach, and only rejoined the main body of the army when the enemy’s cannon had opened a breach from the cord of the parapet to the foot of the glacis. He was under Kléber at Marchiennes and at the battle of Mont-Palissel, where a ball from a biscaïen broke his arm. Then he passed to the frontier of Italy, and was one of the thirty grenadiers who defended the Col de Tende with Joubert. Joubert was appointed its adjutant-general, and Pontmercy sub-lieutenant. Pontmercy was by Berthier’s side in the midst of the grape-shot of that day at Lodi which caused Bonaparte to say: “Berthier has been cannoneer, cavalier, and grenadier.” He beheld his old general, Joubert, fall at Novi, at the moment when, with uplifted sabre, he was shouting: “Forward!” Having been embarked with his company in the exigencies of the campaign, on board a pinnace which was proceeding from Genoa to some obscure port on the coast, he fell into a wasps’-nest of seven or eight English vessels. The Genoese commander wanted to throw his cannon into the sea, to hide the soldiers between decks, and to slip along in the dark as a merchant vessel. Pontmercy had the colors hoisted to the peak, and sailed proudly past under the guns of the British frigates. Twenty leagues further on, his audacity having increased, he attacked with his pinnace, and captured a large English transport which was carrying troops to Sicily, and which was so loaded down with men and horses that the vessel was sunk to the level of the sea. In 1805 he was in that Malher division which took Günzberg from the Archduke Ferdinand. At Weltingen he received into his arms, beneath a storm of bullets, Colonel Maupetit, mortally wounded at the head of the 9th Dragoons. He distinguished himself at Austerlitz in that admirable march in echelons effected under the enemy’s fire. When the cavalry of the Imperial Russian Guard crushed a battalion of the 4th of the line, Pontmercy was one of those who took their revenge and overthrew the Guard. The Emperor gave him the cross. Pontmercy saw Wurmser at Mantua, Mélas, and Alexandria, Mack at Ulm, made prisoners in succession. He formed a part of the eighth corps of the grand army which Mortier commanded, and which captured Hamburg. Then he was transferred to the 55th of the line, which was the old regiment of Flanders. At Eylau he was in the cemetery where, for the space of two hours, the heroic Captain Louis Hugo, the uncle of the author of this book, sustained alone with his company of eighty-three men every effort of the hostile army. Pontmercy was one of the three who emerged alive from that cemetery. He was at Friedland. Then he saw Moscow. Then La Bérésina, then Lutzen, Bautzen, Dresden, Wachau, Leipzig, and the defiles of Gelenhausen; then Montmirail, Château-Thierry, Craon, the banks of the Marne, the banks of the Aisne, and the redoubtable position of Laon. At Arnay-Le-Duc, being then a captain, he put ten Cossacks to the sword, and saved, not his general, but his corporal. He was well slashed up on this occasion, and twenty-seven splinters were extracted from his left arm alone. Eight days before the capitulation of Paris he had just exchanged with a comrade and entered the cavalry. He had what was called under the old regime, the double hand, that is to say, an equal aptitude for handling the sabre or the musket as a soldier, or a squadron or a battalion as an officer. It is from this aptitude, perfected by a military education, which certain special branches of the service arise, the dragoons, for example, who are both cavalry-men and infantry at one and the same time. He accompanied Napoleon to the Island of Elba. At Waterloo, he was chief of a squadron of cuirassiers, in Dubois’ brigade. It was he who captured the standard of the Lunenburg battalion. He came and cast the flag at the Emperor’s feet. He was covered with blood. While tearing down the banner he had received a sword-cut across his face. The Emperor, greatly pleased, shouted to him: “You are a colonel, you are a baron, you are an officer of the Legion of Honor!” Pontmercy replied: “Sire, I thank you for my widow.” An hour later, he fell in the ravine of Ohain. Now, who was this Georges Pontmercy? He was this same “brigand of the Loire.”
We have already seen something of his history. After Waterloo, Pontmercy, who had been pulled out of the hollow road of Ohain, as it will be remembered, had succeeded in joining the army, and had dragged himself from ambulance to ambulance as far as the cantonments of the Loire.
The Restoration had placed him on half-pay, then had sent him into residence, that is to say, under surveillance, at Vernon. King Louis XVIII., regarding all that which had taken place during the Hundred Days as not having occurred at all, did not recognize his quality as an officer of the Legion of Honor, nor his grade of colonel, nor his title of baron. He, on his side, neglected no occasion of signing himself “Colonel Baron Pontmercy.” He had only an old blue coat, and he never went out without fastening to it his rosette as an officer of the Legion of Honor. The Attorney for the Crown had him warned that the authorities would prosecute him for “illegal” wearing of this decoration. When this notice was conveyed to him through an officious intermediary, Pontmercy retorted with a bitter smile: “I do not know whether I no longer understand French, or whether you no longer speak it; but the fact is that I do not understand.” Then he went out for eight successive days with his rosette. They dared not interfere with him. Two or three times the Minister of War and the general in command of the department wrote to him with the following address: _“A Monsieur le Commandant Pontmercy.” _ He sent back the letters with the seals unbroken. At the same moment, Napoleon at Saint Helena was treating in the same fashion the missives of Sir Hudson Lowe addressed to _General Bonaparte_. Pontmercy had ended, may we be pardoned the expression, by having in his mouth the same saliva as his Emperor.
In the same way, there were at Rome Carthaginian prisoners who refused to salute Flaminius, and who had a little of Hannibal’s spirit.
One day he encountered the district-attorney in one of the streets of Vernon, stepped up to him, and said: “Mr. Crown Attorney, am I permitted to wear my scar?”
He had nothing save his meagre half-pay as chief of squadron. He had hired the smallest house which he could find at Vernon. He lived there alone, we have just seen how. Under the Empire, between two wars, he had found time to marry Mademoiselle Gillenormand. The old bourgeois, thoroughly indignant at bottom, had given his consent with a sigh, saying: “The greatest families are forced into it.” In 1815, Madame Pontmercy, an admirable woman in every sense, by the way, lofty in sentiment and rare, and worthy of her husband, died, leaving a child. This child had been the colonel’s joy in his solitude; but the grandfather had imperatively claimed his grandson, declaring that if the child were not given to him he would disinherit him. The father had yielded in the little one’s interest, and had transferred his love to flowers.
Moreover, he had renounced everything, and neither stirred up mischief nor conspired. He shared his thoughts between the innocent things which he was then doing and the great things which he had done. He passed his time in expecting a pink or in recalling Austerlitz.
M. Gillenormand kept up no relations with his son-in-law. The colonel was “a bandit” to him. M. Gillenormand never mentioned the colonel, except when he occasionally made mocking allusions to “his Baronship.” It had been expressly agreed that Pontmercy should never attempt to see his son nor to speak to him, under penalty of having the latter handed over to him disowned and disinherited. For the Gillenormands, Pontmercy was a man afflicted with the plague. They intended to bring up the child in their own way. Perhaps the colonel was wrong to accept these conditions, but he submitted to them, thinking that he was doing right and sacrificing no one but himself.
The inheritance of Father Gillenormand did not amount to much; but the inheritance of Mademoiselle Gillenormand the elder was considerable. This aunt, who had remained unmarried, was very rich on the maternal side, and her sister’s son was her natural heir. The boy, whose name was Marius, knew that he had a father, but nothing more. No one opened his mouth to him about it. Nevertheless, in the society into which his grandfather took him, whispers, innuendoes, and winks, had eventually enlightened the little boy’s mind; he had finally understood something of the case, and as he naturally took in the ideas and opinions which were, so to speak, the air he breathed, by a sort of infiltration and slow penetration, he gradually came to think of his father only with shame and with a pain at his heart.
While he was growing up in this fashion, the colonel slipped away every two or three months, came to Paris on the sly, like a criminal breaking his ban, and went and posted himself at Saint-Sulpice, at the hour when Aunt Gillenormand led Marius to the mass. There, trembling lest the aunt should turn round, concealed behind a pillar, motionless, not daring to breathe, he gazed at his child. The scarred veteran was afraid of that old spinster.
From this had arisen his connection with the curé of Vernon, M. l’Abbé Mabeuf.
That worthy priest was the brother of a warden of Saint-Sulpice, who had often observed this man gazing at his child, and the scar on his cheek, and the large tears in his eyes. That man, who had so manly an air, yet who was weeping like a woman, had struck the warden. That face had clung to his mind. One day, having gone to Vernon to see his brother, he had encountered Colonel Pontmercy on the bridge, and had recognized the man of Saint-Sulpice. The warden had mentioned the circumstance to the curé, and both had paid the colonel a visit, on some pretext or other. This visit led to others. The colonel, who had been extremely reserved at first, ended by opening his heart, and the curé and the warden finally came to know the whole history, and how Pontmercy was sacrificing his happiness to his child’s future. This caused the curé to regard him with veneration and tenderness, and the colonel, on his side, became fond of the curé. And moreover, when both are sincere and good, no men so penetrate each other, and so amalgamate with each other, as an old priest and an old soldier. At bottom, the man is the same. The one has devoted his life to his country here below, the other to his country on high; that is the only difference.
Twice a year, on the first of January and on St. George’s day, Marius wrote duty letters to his father, which were dictated by his aunt, and which one would have pronounced to be copied from some formula; this was all that M. Gillenormand tolerated; and the father answered them with very tender letters which the grandfather thrust into his pocket unread.
Chapter III — Requiescant
Madame de T.’s salon was all that Marius Pontmercy knew of the world. It was the only opening through which he could get a glimpse of life. This opening was sombre, and more cold than warmth, more night than day, came to him through this skylight. This child, who had been all joy and light on entering this strange world, soon became melancholy, and, what is still more contrary to his age, grave. Surrounded by all those singular and imposing personages, he gazed about him with serious amazement. Everything conspired to increase this astonishment in him. There were in Madame de T.’s salon some very noble ladies named Mathan, Noé, Lévis,—which was pronounced Lévi,—Cambis, pronounced Cambyse. These antique visages and these Biblical names mingled in the child’s mind with the Old Testament which he was learning by heart, and when they were all there, seated in a circle around a dying fire, sparely lighted by a lamp shaded with green, with their severe profiles, their gray or white hair, their long gowns of another age, whose lugubrious colors could not be distinguished, dropping, at rare intervals, words which were both majestic and severe, little Marius stared at them with frightened eyes, in the conviction that he beheld not women, but patriarchs and magi, not real beings, but phantoms.
With these phantoms, priests were sometimes mingled, frequenters of this ancient salon, and some gentlemen; the Marquis de Sass****, private secretary to Madame de Berry, the Vicomte de Val***, who published, under the pseudonym of Charles-Antoine, monorhymed odes, the Prince de Beauff*******, who, though very young, had a gray head and a pretty and witty wife, whose very low-necked toilettes of scarlet velvet with gold torsades alarmed these shadows, the Marquis de C***** d’E******, the man in all France who best understood “proportioned politeness,” the Comte d’Am*****, the kindly man with the amiable chin, and the Chévalier de Port-de-Guy, a pillar of the library of the Louvre, called the King’s cabinet, M. de Port-de-Guy, bald, and rather aged than old, was wont to relate that in 1793, at the age of sixteen, he had been put in the galleys as refractory and chained with an octogenarian, the Bishop of Mirepoix, also refractory, but as a priest, while he was so in the capacity of a soldier. This was at Toulon. Their business was to go at night and gather up on the scaffold the heads and bodies of the persons who had been guillotined during the day; they bore away on their backs these dripping corpses, and their red galley-slave blouses had a clot of blood at the back of the neck, which was dry in the morning and wet at night. These tragic tales abounded in Madame de T.’s salon, and by dint of cursing Marat, they applauded Trestaillon. Some deputies of the undiscoverable variety played their whist there; M. Thibord du Chalard, M. Lemarchant de Gomicourt, and the celebrated scoffer of the right, M. Cornet-Dincourt. The bailiff de Ferrette, with his short breeches and his thin legs, sometimes traversed this salon on his way to M. de Talleyrand. He had been M. le Comte d’Artois’ companion in pleasures and unlike Aristotle crouching under Campaspe, he had made the Guimard crawl on all fours, and in that way he had exhibited to the ages a philosopher avenged by a bailiff. As for the priests, there was the Abbé Halma, the same to whom M. Larose, his collaborator on la Foudre, said: “Bah! Who is there who is not fifty years old? a few greenhorns perhaps?” The Abbé Letourneur, preacher to the King, the Abbé Frayssinous, who was not, as yet, either count, or bishop, or minister, or peer, and who wore an old cassock whose buttons were missing, and the Abbé Keravenant, Curé of Saint-Germain-des-Prés; also the Pope’s Nuncio, then Monsignor Macchi, Archbishop of Nisibi, later on Cardinal, remarkable for his long, pensive nose, and another Monsignor, entitled thus: Abbate Palmieri, domestic prelate, one of the seven participant prothonotaries of the Holy See, Canon of the illustrious Liberian basilica, Advocate of the saints, Postulatore dei Santi, which refers to matters of canonization, and signifies very nearly: Master of Requests of the section of Paradise. Lastly, two cardinals, M. de la Luzerne, and M. de Cl****** T*******. The Cardinal of Luzerne was a writer and was destined to have, a few years later, the honor of signing in the Conservateur articles side by side with Chateaubriand; M. de Cl****** T******* was Archbishop of Toul****, and often made trips to Paris, to his nephew, the Marquis de T*******, who was Minister of Marine and War. The Cardinal of Cl****** T******* was a merry little man, who displayed his red stockings beneath his tucked-up cassock; his specialty was a hatred of the Encyclopædia, and his desperate play at billiards, and persons who, at that epoch, passed through the Rue M***** on summer evenings, where the hotel de Cl****** T******* then stood, halted to listen to the shock of the balls and the piercing voice of the Cardinal shouting to his conclavist, Monseigneur Cotiret, Bishop in partibus of Caryste: “Mark, Abbé, I make a cannon.” The Cardinal de Cl****** T******* had been brought to Madame de T.’s by his most intimate friend, M. de Roquelaure, former Bishop of Senlis, and one of the Forty. M. de Roquelaure was notable for his lofty figure and his assiduity at the Academy; through the glass door of the neighboring hall of the library where the French Academy then held its meetings, the curious could, on every Tuesday, contemplate the Ex-Bishop of Senlis, usually standing erect, freshly powdered, in violet hose, with his back turned to the door, apparently for the purpose of allowing a better view of his little collar. All these ecclesiastics, though for the most part as much courtiers as churchmen, added to the gravity of the T. salon, whose seigniorial aspect was accentuated by five peers of France, the Marquis de Vib****, the Marquis de Tal***, the Marquis de Herb*******, the Vicomte Damb***, and the Duc de Val********. This Duc de Val********, although Prince de Mon***, that is to say a reigning prince abroad, had so high an idea of France and its peerage, that he viewed everything through their medium. It was he who said: “The Cardinals are the peers of France of Rome; the lords are the peers of France of England.” Moreover, as it is indispensable that the Revolution should be everywhere in this century, this feudal salon was, as we have said, dominated by a bourgeois. M. Gillenormand reigned there.
There lay the essence and quintessence of the Parisian white society. There reputations, even Royalist reputations, were held in quarantine. There is always a trace of anarchy in renown. Chateaubriand, had he entered there, would have produced the effect of Père Duchêne. Some of the scoffed-at did, nevertheless, penetrate thither on sufferance. Comte Beug*** was received there, subject to correction.
The “noble” salons of the present day no longer resemble those salons. The Faubourg Saint-Germain reeks of the fagot even now. The Royalists of to-day are demagogues, let us record it to their credit.
At Madame de T.’s the society was superior, taste was exquisite and haughty, under the cover of a great show of politeness. Manners there admitted of all sorts of involuntary refinements which were the old régime itself, buried but still alive. Some of these habits, especially in the matter of language, seem eccentric. Persons but superficially acquainted with them would have taken for provincial that which was only antique. A woman was called _Madame la Générale. Madame la Colonelle_ was not entirely disused. The charming Madame de Léon, in memory, no doubt, of the Duchesses de Longueville and de Chevreuse, preferred this appellation to her title of Princesse. The Marquise de Créquy was also called Madame la Colonelle.
It was this little high society which invented at the Tuileries the refinement of speaking to the King in private as the King, in the third person, and never as Your Majesty, the designation of _Your Majesty_ having been “soiled by the usurper.”
Men and deeds were brought to judgment there. They jeered at the age, which released them from the necessity of understanding it. They abetted each other in amazement. They communicated to each other that modicum of light which they possessed. Methuselah bestowed information on Epimenides. The deaf man made the blind man acquainted with the course of things. They declared that the time which had elapsed since Coblentz had not existed. In the same manner that Louis XVIII. was by the grace of God, in the five and twentieth year of his reign, the emigrants were, by rights, in the five and twentieth year of their adolescence.
All was harmonious; nothing was too much alive; speech hardly amounted to a breath; the newspapers, agreeing with the salons, seemed a papyrus. There were some young people, but they were rather dead. The liveries in the antechamber were antiquated. These utterly obsolete personages were served by domestics of the same stamp.
They all had the air of having lived a long time ago, and of obstinately resisting the sepulchre. Nearly the whole dictionary consisted of _Conserver, Conservation, Conservateur; to be in good odor_,—that was the point. There are, in fact, aromatics in the opinions of these venerable groups, and their ideas smelled of it. It was a mummified society. The masters were embalmed, the servants were stuffed with straw.
A worthy old marquise, an emigrée and ruined, who had but a solitary maid, continued to say: “My people.”
What did they do in Madame de T.’s salon? They were ultra.
To be ultra; this word, although what it represents may not have disappeared, has no longer any meaning at the present day. Let us explain it.
To be ultra is to go beyond. It is to attack the sceptre in the name of the throne, and the mitre in the name of the altar; it is to ill-treat the thing which one is dragging, it is to kick over the traces; it is to cavil at the fagot on the score of the amount of cooking received by heretics; it is to reproach the idol with its small amount of idolatry; it is to insult through excess of respect; it is to discover that the Pope is not sufficiently papish, that the King is not sufficiently royal, and that the night has too much light; it is to be discontented with alabaster, with snow, with the swan and the lily in the name of whiteness; it is to be a partisan of things to the point of becoming their enemy; it is to be so strongly for, as to be against.
The ultra spirit especially characterizes the first phase of the Restoration.
Nothing in history resembles that quarter of an hour which begins in 1814 and terminates about 1820, with the advent of M. de Villèle, the practical man of the Right. These six years were an extraordinary moment; at one and the same time brilliant and gloomy, smiling and sombre, illuminated as by the radiance of dawn and entirely covered, at the same time, with the shadows of the great catastrophes which still filled the horizon and were slowly sinking into the past. There existed in that light and that shadow, a complete little new and old world, comic and sad, juvenile and senile, which was rubbing its eyes; nothing resembles an awakening like a return; a group which regarded France with ill-temper, and which France regarded with irony; good old owls of marquises by the streetful, who had returned, and of ghosts, the “former” subjects of amazement at everything, brave and noble gentlemen who smiled at being in France but wept also, delighted to behold their country once more, in despair at not finding their monarchy; the nobility of the Crusades treating the nobility of the Empire, that is to say, the nobility of the sword, with scorn; historic races who had lost the sense of history; the sons of the companions of Charlemagne disdaining the companions of Napoleon. The swords, as we have just remarked, returned the insult; the sword of Fontenoy was laughable and nothing but a scrap of rusty iron; the sword of Marengo was odious and was only a sabre. Former days did not recognize Yesterday. People no longer had the feeling for what was grand. There was some one who called Bonaparte Scapin. This Society no longer exists. Nothing of it, we repeat, exists to-day. When we select from it some one figure at random, and attempt to make it live again in thought, it seems as strange to us as the world before the Deluge. It is because it, too, as a matter of fact, has been engulfed in a deluge. It has disappeared beneath two Revolutions. What billows are ideas! How quickly they cover all that it is their mission to destroy and to bury, and how promptly they create frightful gulfs!
Such was the physiognomy of the salons of those distant and candid times when M. Martainville had more wit than Voltaire.
These salons had a literature and politics of their own. They believed in Fiévée. M. Agier laid down the law in them. They commentated M. Colnet, the old bookseller and publicist of the Quay Malaquais. Napoleon was to them thoroughly the Corsican Ogre. Later on the introduction into history of M. le Marquis de Bonaparte, Lieutenant-General of the King’s armies, was a concession to the spirit of the age.
These salons did not long preserve their purity. Beginning with 1818, doctrinarians began to spring up in them, a disturbing shade. Their way was to be Royalists and to excuse themselves for being so. Where the ultras were very proud, the doctrinarians were rather ashamed. They had wit; they had silence; their political dogma was suitably impregnated with arrogance; they should have succeeded. They indulged, and usefully too, in excesses in the matter of white neckties and tightly buttoned coats. The mistake or the misfortune of the doctrinarian party was to create aged youth. They assumed the poses of wise men. They dreamed of engrafting a temperate power on the absolute and excessive principle. They opposed, and sometimes with rare intelligence, conservative liberalism to the liberalism which demolishes. They were heard to say: “Thanks for Royalism! It has rendered more than one service. It has brought back tradition, worship, religion, respect. It is faithful, brave, chivalric, loving, devoted. It has mingled, though with regret, the secular grandeurs of the monarchy with the new grandeurs of the nation. Its mistake is not to understand the Revolution, the Empire, glory, liberty, young ideas, young generations, the age. But this mistake which it makes with regard to us,—have we not sometimes been guilty of it towards them? The Revolution, whose heirs we are, ought to be intelligent on all points. To attack Royalism is a misconstruction of liberalism. What an error! And what blindness! Revolutionary France is wanting in respect towards historic France, that is to say, towards its mother, that is to say, towards itself. After the 5th of September, the nobility of the monarchy is treated as the nobility of the Empire was treated after the 5th of July. They were unjust to the eagle, we are unjust to the fleur-de-lys. It seems that we must always have something to proscribe! Does it serve any purpose to ungild the crown of Louis XIV., to scrape the coat of arms of Henry IV.? We scoff at M. de Vaublanc for erasing the N’s from the bridge of Jena! What was it that he did? What are we doing? Bouvines belongs to us as well as Marengo. The fleurs-de-lys are ours as well as the N’s. That is our patrimony. To what purpose shall we diminish it? We must not deny our country in the past any more than in the present. Why not accept the whole of history? Why not love the whole of France?”
It is thus that doctrinarians criticised and protected Royalism, which was displeased at criticism and furious at protection.
The ultras marked the first epoch of Royalism, congregation characterized the second. Skill follows ardor. Let us confine ourselves here to this sketch.
In the course of this narrative, the author of this book has encountered in his path this curious moment of contemporary history; he has been forced to cast a passing glance upon it, and to trace once more some of the singular features of this society which is unknown to-day. But he does it rapidly and without any bitter or derisive idea. Souvenirs both respectful and affectionate, for they touch his mother, attach him to this past. Moreover, let us remark, this same petty world had a grandeur of its own. One may smile at it, but one can neither despise nor hate it. It was the France of former days.
Marius Pontmercy pursued some studies, as all children do. When he emerged from the hands of Aunt Gillenormand, his grandfather confided him to a worthy professor of the most purely classic innocence. This young soul which was expanding passed from a prude to a vulgar pedant.
Marius went through his years of college, then he entered the law school. He was a Royalist, fanatical and severe. He did not love his grandfather much, as the latter’s gayety and cynicism repelled him, and his feelings towards his father were gloomy.
He was, on the whole, a cold and ardent, noble, generous, proud, religious, enthusiastic lad; dignified to harshness, pure to shyness.
Chapter IV — End of the Brigand
The conclusion of Marius’ classical studies coincided with M. Gillenormand’s departure from society. The old man bade farewell to the Faubourg Saint-Germain and to Madame de T.’s salon, and established himself in the Marais, in his house of the Rue des Filles-du-Calvaire. There he had for servants, in addition to the porter, that chambermaid, Nicolette, who had succeeded to Magnon, and that short-breathed and pursy Basque, who have been mentioned above.
In 1827, Marius had just attained his seventeenth year. One evening, on his return home, he saw his grandfather holding a letter in his hand.
“Marius,” said M. Gillenormand, “you will set out for Vernon to-morrow.”
“Why?” said Marius.
“To see your father.”
Marius was seized with a trembling fit. He had thought of everything except this—that he should one day be called upon to see his father. Nothing could be more unexpected, more surprising, and, let us admit it, more disagreeable to him. It was forcing estrangement into reconciliation. It was not an affliction, but it was an unpleasant duty.
Marius, in addition to his motives of political antipathy, was convinced that his father, the slasher, as M. Gillenormand called him on his amiable days, did not love him; this was evident, since he had abandoned him to others. Feeling that he was not beloved, he did not love. “Nothing is more simple,” he said to himself.
He was so astounded that he did not question M. Gillenormand. The grandfather resumed:—
“It appears that he is ill. He demands your presence.”
And after a pause, he added:—
“Set out to-morrow morning. I think there is a coach which leaves the Cour des Fontaines at six o’clock, and which arrives in the evening. Take it. He says that here is haste.”
Then he crushed the letter in his hand and thrust it into his pocket. Marius might have set out that very evening and have been with his father on the following morning. A diligence from the Rue du Bouloi took the trip to Rouen by night at that date, and passed through Vernon. Neither Marius nor M. Gillenormand thought of making inquiries about it.
The next day, at twilight, Marius reached Vernon. People were just beginning to light their candles. He asked the first person whom he met for “M. Pontmercy’s house.” For in his own mind, he agreed with the Restoration, and like it, did not recognize his father’s claim to the title of either colonel or baron.
The house was pointed out to him. He rang; a woman with a little lamp in her hand opened the door.
“M. Pontmercy?” said Marius.
The woman remained motionless.
“Is this his house?” demanded Marius.
The woman nodded affirmatively.
“Can I speak with him?”
The woman shook her head.
“But I am his son!” persisted Marius. “He is expecting me.”
“He no longer expects you,” said the woman.
Then he perceived that she was weeping.
She pointed to the door of a room on the ground floor; he entered.
In that room, which was lighted by a tallow candle standing on the chimney-piece, there were three men, one standing erect, another kneeling, and one lying at full length, on the floor in his shirt. The one on the floor was the colonel.
The other two were the doctor, and the priest, who was engaged in prayer.
The colonel had been attacked by brain fever three days previously. As he had a foreboding of evil at the very beginning of his illness, he had written to M. Gillenormand to demand his son. The malady had grown worse. On the very evening of Marius’ arrival at Vernon, the colonel had had an attack of delirium; he had risen from his bed, in spite of the servant’s efforts to prevent him, crying: “My son is not coming! I shall go to meet him!” Then he ran out of his room and fell prostrate on the floor of the antechamber. He had just expired.
The doctor had been summoned, and the curé. The doctor had arrived too late. The son had also arrived too late.
By the dim light of the candle, a large tear could be distinguished on the pale and prostrate colonel’s cheek, where it had trickled from his dead eye. The eye was extinguished, but the tear was not yet dry. That tear was his son’s delay.
Marius gazed upon that man whom he beheld for the first time, on that venerable and manly face, on those open eyes which saw not, on those white locks, those robust limbs, on which, here and there, brown lines, marking sword-thrusts, and a sort of red stars, which indicated bullet-holes, were visible. He contemplated that gigantic sear which stamped heroism on that countenance upon which God had imprinted goodness. He reflected that this man was his father, and that this man was dead, and a chill ran over him.
The sorrow which he felt was the sorrow which he would have felt in the presence of any other man whom he had chanced to behold stretched out in death.
Anguish, poignant anguish, was in that chamber. The servant-woman was lamenting in a corner, the curé was praying, and his sobs were audible, the doctor was wiping his eyes; the corpse itself was weeping.
The doctor, the priest, and the woman gazed at Marius in the midst of their affliction without uttering a word; he was the stranger there. Marius, who was far too little affected, felt ashamed and embarrassed at his own attitude; he held his hat in his hand; and he dropped it on the floor, in order to produce the impression that grief had deprived him of the strength to hold it.
At the same time, he experienced remorse, and he despised himself for behaving in this manner. But was it his fault? He did not love his father? Why should he!
The colonel had left nothing. The sale of big furniture barely paid the expenses of his burial.
The servant found a scrap of paper, which she handed to Marius. It contained the following, in the colonel’s handwriting:—
“For my son.—The Emperor made me a Baron on the battle-field of Waterloo. Since the Restoration disputes my right to this title which I purchased with my blood, my son shall take it and bear it. That he will be worthy of it is a matter of course.” Below, the colonel had added: “At that same battle of Waterloo, a sergeant saved my life. The man’s name was Thénardier. I think that he has recently been keeping a little inn, in a village in the neighborhood of Paris, at Chelles or Montfermeil. If my son meets him, he will do all the good he can to Thénardier.”
Marius took this paper and preserved it, not out of duty to his father, but because of that vague respect for death which is always imperious in the heart of man.
Nothing remained of the colonel. M. Gillenormand had his sword and uniform sold to an old-clothes dealer. The neighbors devastated the garden and pillaged the rare flowers. The other plants turned to nettles and weeds, and died.
Marius remained only forty-eight hours at Vernon. After the interment he returned to Paris, and applied himself again to his law studies, with no more thought of his father than if the latter had never lived. In two days the colonel was buried, and in three forgotten.
Marius wore crape on his hat. That was all.